Hannah Kong
Couture ingenue Hannah Kong credits Paris for her most important influences and inspirations. The splendour and romance of the city flows into her thread-work; history dresses her forms in elaborate beadwork.
From her fine, disciplined stitches, we created a logo out of golden 'thread'. The fashion show invitation, printed with gold foil, letter press, created a glimmering effect, much like her dresses.
Environmental Defense Fund
The Environmental Defense Fund (EDF) is a leading organization in finding practical and lasting solutions to the most serious environmental problems. The 2019 Annual Report visualizes the manner in which EDF raises the bar for systems thinking and mitigation work across the world. Playing on the theme of 'Hope and Resilience,' the playful infographics draw the eye to important data that gives new hope for reducing climate impacts.
Hannah Kong
Couture ingenue Hannah Kong credits Paris for her most important influences and inspirations. The splendour and romance of the city flows into her thread-work; history dresses her forms in elaborate beadwork.
From her fine, disciplined stitches, we created a logo out of golden 'thread'. The fashion show invitation, printed with gold foil, letter press, created a glimmering effect, much like her dresses.
master artisan
Meet Hannah Kong
a dreamy hint of grace légère taking us to dreamy spring nights in paris to sun-kissed wanderings on the gardens of versailles to the eternal holiday vibe of the croisette at cannes.
there’s always that innate sense of femininity constantly playing out its own contemporary repositioning. it really doesn’t really matter if one takes a cue from the heydays of the ancient régime to the 1920’s or the swinging 60’s or something as recent as yesterday.
these different time frames can all work together in celebration of style and how women have from these certain epochs have added to this eternally recurring dialogue on style and its relationship with clothes, silhouettes and its many fascinating ideologies and counter ideologies. to be contemporary is not to be afraid of the past and to be always having this particular reverence meets irreverence to the past to take it to the present and perhaps to the future. for this season, hannah kong takes us into the whimsical tropes of fancy of the likes of proust’s celebrated muse la comtesse greffuhle to jacqueline de ribes to the iconoclasm of franca sozzani, inès de la fressange, anna wintour, miroslava duma and olivia palermo.
